CREDITS
LONDON FASHION WEEK 2003
• Working as an assistant make-up artist within a large team.
DANTE’S INFERNO 2004
• Working on a short film for The London Institute.
• Designing, creating and applying full prosthetic make-up for the
film.
• Designing and creating props featured in the film.
‘PLAYING A PART – CLAUDE CAHUN’
A UNIVERSITY OF SUSSEX PRODUCTION FOR BBC 4
DIRECTED BY LIZZIE THYNNE
• Working as sole make-up/hair artist on a BBC 4 documentary. • Creating 1920’s make-up.
• Creating ageing make-up.
MAKE-UP APPLICATION FOR A NEW CATALOGUE BY CLOTHES DESIGNER EMMANUEL SAINT
• Working as part of a team with fashion stylists to create various trauma make-ups relating to the theme of the Photo Shoot.
‘THE BUTLERS TALE’ BY TRINE JENSEN
• Working as sole make-up artist for a short New York Film Academy piece.
• Creating trauma and death make-up.
‘THE OPPORTUNITY’ BY EDA ALKESSON
• Working as sole Make-up and Hair stylist for a short pilot film.
‘MR LOTHIANS UPTOWN RESEARCH” BY ELI J SILVERMAN AND DIRECTED BY BEN STEINER
• Working as sole make-up/hair artist on a short 10 minute film.
• Created fake beards and special effects for certain characters and scenes
‘THE HOUSEWIFE’ DIRECTED BY PAUL SHEEKY FOR TREE HILL PRODUCTIONS AND STARRING ALISON STEADMAN AND MIKE BURNSIDE
• Working as sole make-up/hair artist on a short stills film.
• Created relevant and effective 1960’s through to present day hair and make-up.
‘BLOODY MARY’ DIRECTED BY CHRIS BARNARD FOR UK TV CHOICE
• Working as chief make-up/hair artist on an educational feature film.
• Created relevant and effective period make-up, as well as
extensive special effects make-up for later scenes.
‘THE GORGEOUS LABOUR OF LOVE’ WRITTEN AND DIRECTED BY STACEY HARRISON FOR SSHH PRODUCTIONS U.S
• Working as part of a small team creating theatrical hair/make-up styles for a short stills film to be bought by U.S television.
• Creating very elaborate theatrical make-up to complement the exquisite costume.
• Gained excellent improvisational skills as many costumes were changed on the day and altered meaning the make-up/hair had to also alter.
‘THE ALL TOGETHER’ DIRECTED BY GAVIN CLAXTON FOR ESTABLISHMENT FILMS AND STARRING MARTIN FREEMAN
• Working as an assistant make-up artist creating prosthetic scars key to the storyline.
‘HARD SELL’ DIRECTED BY KING ADZ FOR 100 PROOF FILMS DIRECTOR OF PHOTOGRAPHY RAY ANDREW AND STARRING CRAIG FAIRBRASS, CHRISSY COTTERILL, KARL HOWMAN AND ROY ‘CHUBBY’ BROWN
• Working as sole make-up artist creating prosthetic trauma make-up and various Special Effects.
